Meredy.com Classic Movies/TV/Celebs - Meredy's Book Reviews

Meredy's random ramblings about classic movies and TV, vintage celebrities, her other interests, book reviews and Meredy.com updates.

June 18, 2015

#NoirSummer - Nightmare Alley

Carny #1: How can a guy sink so low?
Carny #2: He reached too high...

Tyrone Power ended up so low because he aimed too high in Nightmare Alley. I consider his performance the best of his career.

The Variety magazine review complimented the film's acting, noting that:
Nightmare Alley is a harsh, brutal story (based on the novel by William Lindsay Gresham) told with the sharp clarity of an etching ... Most vivid of these is Joan Blondell as the girl he works for the secrets of the mind-reading act. Coleen Gray is sympathetic and convincing as his steadfast wife and partner in his act and Helen Walker comes through successfully as the calculating femme who topples Power from the heights of fortune back to degradation as the geek in the carney ("Mister, I was made for it."). Ian Keith is outstanding as Blondell's drunken husband.
Note:
Formalism shifts to realism in the garden scene. Lee Garmes' expressive cinematography reaches a surreal apex of light and shadow when Stan (Tyrone Power) pretends to conjure the spirit of a dead woman in a wealthy client's garden amid the obliquely lit trees and bushes. Stan enlists his wife (Coleen Gray) to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud.


Cast:
Tyrone Power as Stanton "Stan" Carlisle
Joan Blondell as Zeena Krumbein
Coleen Gray as Molly Carlisle
Helen Walker as Lilith Ritter
Taylor Holmes as Ezra Grindle
Mike Mazurki as Bruno
Ian Keith as Pete Krumbein

Directed by Edmund Goulding
Produced by George Jessel
Screenplay by Jules Furthman
Based on the novel Nightmare Alley by William Lindsay Gresham
Music by Cyril J. Mockridge
Cinematography Lee Garmes
Edited by Barbara McLean
Distributed by 20th Century Fox
Release dates October 9, 1947 (United States)
Running time 110 minutes

June 10, 2015

#NoirSummer - Free PDF of A New Kind of Police Drama: the Criminal Adventure by Nino Frank

TCM Presents Into the Darkness: Investigating Film Noir is a fun and fantastic free course. Many people, also taking the course as I am, have e-mailed me, asking if I have a .pdf of "A New Kind of Police Drama: the Criminal Adventure" by Nino Frank. Ask and you shall receive. I'm making a free .pdf available. It may be viewed/downloaded by clicking here.

To sign up for TCM Presents Into the Darkness: Investigating Film Noir, click on the link below.

http://bit.ly/noirsummer

It's #NoirSummer, baby. :)

June 09, 2015

#NoirSummer - Highly Recommend Free Course - TCM Presents Into the Darkness: Investigating Film Noir

TCM Presents Into the Darkness: Investigating Film Noir

This free course explores the noir aesthetic as it emerged in the post-World War II era as a major style of Hollywood filmmaking. The course also brings together many digital projects that involve deepening our critical and popular understanding of film noir. It is taught by Richard L. Edwards, Ph.D.

http://bit.ly/noirsummer

June 26, 2014

Eli Wallach Dead at 98

Eli Wallach, a celebrated stage and film actor who excelled at playing impulsive characters across the ethnic spectrum, memorably as Mexican bandits in the 1960s movie westerns “The Magnificent Seven” and “The Good, the Bad and the Ugly,” died June 24 at his home in Manhattan. He was 98.

The son of Polish Jews, Mr. Wallach was in constant demand to play nearly every kind of ethnic character on stage and screen in a career that spanned seven decades. He initially burst to prominence on Broadway, where he won a Tony Award for his portrayal of a prideful and buffoonish Sicilian named Mangiacavallo in Tennessee Williams’s “The Rose Tattoo” (1951).

Mr. Wallach became one of the busiest character actors in Hollywood, with more than 150 credits in films and on television. He portrayed a Cambodian warlord in “Lord Jim” (1965), based on a Joseph Conrad novel; the Shah of Khwarezm opposite Omar Sharif in the title role of “Genghis Khan” (1965); and a candy-loving mobster in “The Godfather: Part III” (1990).

Reviewers singled out Mr. Wallach for praise as a villain in “The Magnificent Seven” (1960), a high-profile Hollywood remake of Akira Kurosawa’s “Seven Samurai” that featured Yul Brynner, Steve McQueen and Charles Bronson.

Mr. Wallach also had a pivotal role in Italian director Sergio Leone’s violent “spaghetti western” “The Good, the Bad and the Ugly” (1966). His character, Tuco, was the “Ugly.”

Although the film proved wildly popular, Mr. Wallach was criticized for drifting into bandido caricature and confusing accents. “Mexican . . . laced with Riverdale,” New York Times critic Renata Adler wrote.

Mr. Wallach’s other movie highlights included a psychopathic hit man in Don Siegel’s “The Lineup” (1958) and a sad-eyed widower who elicits more sympathy than attraction from divorcee Marilyn Monroe in “The Misfits” (1961).

New York Times film critic Bosley Crowther found Mr. Wallach “dynamic, arrogant and droll” as the Sicilian who ruins his scheming rival (played by Karl Malden) in “Baby Doll” (1956), based on two short plays by Williams.

Mr. Wallach performed in more than two dozen Broadway shows since the 1940s — several opposite his wife, actress Anne Jackson. He earned a reputation as a skilled interpreter of modern playwrights, including the absurdist Eugene Ionesco (“Rhinoceros”) and the comic writer Murray Schisgal (“Luv”). He was an early member of the Actors Studio, a workshop in New York founded by director Elia Kazan, producer Cheryl Crawford and other prominent theatrical figures.

As a performer, Mr. Wallach drew from “the Method,” an acting technique that uses the performer’s emotional memory to add realistic touches to a role.

Describing how he prepared for the part of a hit man with no conscience in “The Lineup,” he told an interviewer, “I make up imaginary circumstances, but I draw on remembered emotions . . . like recalling being so annoyed by a mosquito you wanted to kill it.”

On television, he won an Emmy Award for a supporting role as a Mafia drug dealer in the drama “The Poppy Is Also a Flower” (1966), and joked that he received fan mail for decades for his guest role as Mr. Freeze on the campy 1960s TV series “Batman.”

“I got $350,” he said, with mock anger. “And 30 years later, Arnold Schwarzenegger did the same part and got $20 million.”

Eli Herschel Wallach, whose father was a tailor, was born Dec. 7, 1915, in Brooklyn, N.Y. As a youngster, he was captivated by comics and dramatized the strip panels using different voices. This led to his interest in movies and acting, a passion cemented after watching Ronald Colman in the 1926 silent film version of “Beau Geste.”

“When I came back from ‘Beau Geste,’ my bedroom was the Sahara,” he told the Newark Star-Ledger in 2005. “The blankets were all sand. My mother would call me to dinner and I’d say, ‘I can’t . . . I’m bleeding . . . I’ve been . . . shot.’

“So everyone in the family was used to this. But my father’s point of view was, ‘From this, you can make a living?’ They wanted me to go to college and become a teacher.”

He entered the University of Texas because of the low tuition rates and joined a college theater club. After graduating in 1936, Mr. Wallach received a master’s degree in education at City College of New York at his family’s behest. He said he flunked the teacher’s exam but was secretly pleased so he could pursue acting.

He won a scholarship to study acting at the Neighborhood Playhouse, a theater school in Manhattan that taught the “Method,” but his professional stage career was delayed by Army Medical Corps service during World War II.

In 1946, he met Jackson when they appeared together in a Tennessee Williams one-act play, “This Property is Condemned.” They married two years later. Besides his wife, survivors include three children, Peter Wallach, Roberta Wallach and Katherine Wallach; a sister; and three grandsons.

Mr. Wallach’s big break onstage came when director Joshua Logan hired him as a replacement for a supporting actor in the wartime comedy “Mister Roberts,” starring Henry Fonda. He said Logan spotted his potential during an impromptu speech he gave at the Actors Studio about raiding houses of prostitution while in the Medical Corps.

He spent two years in “Mister Roberts” before being cast opposite Maureen Stapleton onstage in “The Rose Tattoo.” After winning the Tony for best featured actor, he turned down a supporting part that won Frank Sinatra an Academy Award in “From Here to Eternity” (1953). Instead, he took the leading role of Kilroy in Williams’s odd fantasy stage drama “Camino Real” (1953), which flopped.

He said that whenever he ran into Sinatra in later years, the singer would call out to him, “Hello, you crazy actor.”

Also onstage, Mr. Wallach played a nonagenarian in Ionesco’s “The Chairs” and a young intellectual in S.N. Behrman’s “The Cold Wind and the Warm.” In 1955, he replaced David Wayne on Broadway as the Okinawan interpreter in “The Teahouse of the August Moon.” In 1964, he and Jackson began a three-year Broadway run in Schisgal’s “Luv,” with Mr. Wallach as a farcically childish husband in an unhappy marriage.

In 1982, as Mr. Wallach was appearing in Schisgal one-act plays, New York Times theater critic Frank Rich wrote: “It would be pointless to imagine anyone but Mr. Wallach playing Mr. Schisgal’s irascibly childish middle-aged men, who bare their teeth in futile rage as soon as a sensible woman appears to deflate their egomaniacal masculine logic.”

Mr. Wallach became a fixture of television dramas on anthology programs in the 1950s, including Tom in Williams’s “The Glass Menagerie,” the gypsy Rafael in “For Whom the Bell Tolls” and as an aide to Russian dictator Joseph Stalin in “The Plot to Kill Stalin.”

Despite promising movie roles early on, Mr. Wallach was gradually reduced to supporting parts, but he often made the most of limited screen time.

He played a wounded American soldier in “The Victors” (1963); an art collector opposite Audrey Hepburn in “How to Steal a Million” (1966); a Jewish bail bondsman in “The Hunter” (1980), Steve McQueen’s final movie; and a hit man after aged robbers Kirk Douglas and Burt Lancaster in “Tough Guys” (1986).

Writing of the last, Washington Post film critic Rita Kempley singled out Mr. Wallach for “a show-stealing, side-splitting role as a nearsighted gunman in pursuit of the heroes.”

He also played an unbilled role of a liquor store owner in Clint Eastwood’s “Mystic River” (2003). He had known Eastwood ever since both suffered through director Sergio Leone’s demands on the set of “The Good, the Bad and the Ugly.”

Leone had asked the actors to do their own stunts, to create a sense of gritty realism. This meant Mr. Wallach was forced — during two takes — to place himself against railroad tracks as an oncoming train cut his character’s handcuffs. Each time, his head was nearly severed by the iron step of a passenger car.

Mr. Wallach, who in recent years had small roles in films such as Roman Polanski’s “The Ghost Writer” and Oliver Stone’s “Wall Street: Money Never Sleeps,” received an honorary Academy Award for lifetime achievement in 2010. The citation called him “the quintessential chameleon, effortlessly inhabiting a wide range of characters, while putting his inimitable stamp on every role.”

He wrote a memoir, “The Good, the Bad and Me: In My Anecdotage” (2005), in which he credited his long and stable marriage to appearing with his wife in plays “that had tremendous fights in them. . . . Onstage we could, with the help of brilliant writing, air our personal grievances and thus avoid expensive psychiatric sessions.”

Jackson said the marriage worked because he did the ironing.

June 17, 2014

Book Review: In Velvet by Burt Weissbourd

In Velvet
by Burt Weissbourd

A non-stop thriller set in some of North America's wildest country, In Velvet takes you deep into the hearts of a hard case local detective and a Chicago cop as they take on a corrupt sheriff, a pathological poacher, and a lethal black ops manager to solve this ghastly mystery and restore the natural order in Yellowstone National Park.

In Velvet is an uncommon thriller. Rachel, a bear biologist, is discovering some very unusual behavior in the grizzly bear population in Yellowstone Park as well as what appears to be sightings of extinct species and horrific animal mutations. Just exactly what is going on in Yellowstone? This book begins with high intensity and doesn't let up until the very last page. The situations are eerie, the characters are creepy and the plot is exciting. It’s everything the synopsis promises and more.

There are many characters in In Velvet. The cast can be complex, however, I found they are relatively easy to keep organized. A few of the characters have similar personalities and speak using similar dialogue/dialect. This may cause problems for some readers, but these instances are rare.

The plot was exhilarating, intriguing and a bit terrifying but only because it is so frighteningly possible. Is it really that impossible to consider corrupt behaviors that result in mutations in what should be protected species?

In Velvet is a thrill and chill from start to finish! While I expected a good read, it easily surpassed my expectations.

Book Review: Tumor Me: The Story of My Firefighter by Judith DeChesere-Boyle

Great Read - Have Kleenex Handy

Tumor Me: The Story of My Firefighter
by Judith DeChesere-Boyle

Haven't read such a wonderfully written memoir about a mother's and son's journey through his illness and untimely death from a brain tumor since John Gunther's Death Be Not Proud. The emotions the author conveys are real, raw and powerful. Losing a child is the ultimate pain. Alex was an awesome man and touched many people in his abbreviated life. He was a man, who, when the chips were down, had 4,482 hours of leave (as opposed to the usual 100-200 hours) donated to him by his co-workers through CAL FIRE’s Catastrophic Leave Bank. Make sure you read this book and have some Kleenex handy.

June 12, 2014

Screen, Stage Legend Ruby Dee Dies at 91


Ruby Dee, the award-winning actress whose seven-decade career included triumphs on stage and screen, has died. She was 91.

Dee died peacefully at her New Rochelle, New York, home on Wednesday, according to her representative, Michael Livingston.

Dee -- often with her late husband, Ossie Davis -- was a formidable force in both the performing arts community and the civil rights movement. She was friends with Martin Luther King Jr. and Malcolm X and received the Frederick Douglass Award in 1970 from the National Urban League.

Davis preceded his wife in death in 2005.

Dee earned an Oscar nomination for her performance in "American Gangster" (2007). She also won an Emmy and Grammy for other work.

Broadway star Audra McDonald paid tribute to Dee when she accepted a Tony Award last Sunday, crediting Dee, Maya Angelou, Diahann Carroll and Billie Holiday for making her career possible. McDonald won a best actress Tony in 2004 for playing the same role Dee played on Broadway in 1959 and in the 1961 film version of "A Raisin in the Sun."

Her acting career started in New York in the 1940s, but it was her role in the 1950 movie "The Jackie Robinson Story" that first brought her national attention.

June 10, 2014

Four New Trivia Pages on Meredy.com

Ronald Reagan - http://www.meredy.com/reaganronaldtriv.html

Lynn Redgrave - http://www.meredy.com/redgravelynntriv.html

Michael Redgrave - http://www.meredy.com/redgravemichaeltriv.html

Vanessa Redgrave - http://www.meredy.com/redgravevanessatriv.html

Martha Hyer, Oscar-Nominated Actress, Dies at 89


Martha Hyer, an Oscar-nominated movie actress who starred alongside Humphrey Bogart, Dean Martin, Frank Sinatra and Shirley MacLaine in the 1950s and 1960s, died on May 31 at her home in Santa Fe, N.M. She was 89.

Her death was confirmed by Raymond Lucero of Rivera Funeral Home in Santa Fe.

While Ms. Hyer was never a top star herself, she shared the screen with plenty of people who were.

In the 1954 comedy “Sabrina,” starring Bogart and Audrey Hepburn, she played the fiancĂ©e of the Bogart character’s brother, played by William Holden. In the 1958 drama “Some Came Running,” based on a novel by James Jones and starring Sinatra and Martin, she played an emotionally reserved schoolteacher wooed by a war veteran and writer played by Sinatra. Although Ms. Hyer was nominated for an Academy Award as best supporting actress, the actress in the film who received the most notice was Ms. MacLaine, playing a less reputable woman also attracted to the Sinatra character. Ms. MacLaine was nominated for best actress, her first Oscar nomination.

Ms. Hyer enjoyed her fame and was not shy about flaunting her rising wealth. In 1959, Life magazine ran a multipage photo feature highlighting her luxurious life. It depicted her admiring her Sheffield silver and a Pissarro landscape painting and indulging in a massage, covered by only a towel. She extolled fur coats, solitude and her expansive view of Los Angeles. The accompanying text noted that she had been married briefly and was “now a bachelor girl.” (That marriage was to Ray Stahl, who directed a 1954 film in which she appeared, “The Scarlet Spear.”)

“If this is transitory, that is fine,” she told Life. “I’ve dreamed a dream and it has come true. I am happy.”

Her glamorous looks were sometimes compared to those of Grace Kelly and her social life drew steady attention from gossip columnists. Yet her career began to slow in the 1960s, when few of her films were well received. In 1964 she appeared in “Bikini Beach” and had a modest role in “The Carpetbaggers,” a commercial success based on the 1961 novel by Harold Robbins. In 1965 she had a supporting role in “The Sons of Katie Elder,” a western starring John Wayne and Dean Martin.

The next year she married one of that film’s producers, Hal B. Wallis, one of the most prominent executives in Hollywood. She also made headlines that year for selling her Pissarro at a Sotheby’s auction for $103,000. She later complained that Mr. Wallis limited one of her favorite hobbies: spending money.

Martha Hyer was born on Aug. 10, 1924, in Fort Worth. Her father, Julien, was a judge and a state lawmaker. She attended Northwestern University before moving to California, where she hoped to become an actress. She found small roles in low-budget westerns and other marginal films before being cast in “Sabrina.”

Information on survivors was not immediately available. Mr. Wallis died in 1986.

Ms. Hyer had stopped making movies by 1971 but continued to appear on television until 1974. Her last role was in an episode of “McCloud.” Among the other shows on which she was seen were “Rawhide,” “The Virginian” and “Burke’s Law.”

In 1990 she published a memoir, “Finding My Way.”