March 01, 2011

Jane Russell, star of '40s and '50s films, dies

She was the voluptuous pin-up girl who set a million male hearts to pounding during World War II, the favorite movie star of a generation of young men long before she'd made a movie more than a handful of them had ever seen.
Such was the stunning beauty of Jane Russell, and the marketing skills of the man who discovered her, the eccentric billionaire Howard Hughes.
Russell, surrounded by family members, died Monday at her home in the central coast city of Santa Maria. Her death from respiratory failure came 70 years after Hughes had put her on the path to stardom with his controversial Western "The Outlaw." She was 89.
Although she had all but abandoned Hollywood after the 1960s for a quieter life, her daughter-in-law Etta Waterfield said Russell remained active until just a few weeks ago when her health began to fail. Until then, she was active with her church, charities that were close to her heart and as a member of a singing group that made occasional appearances around Santa Maria.
"She always said 'I'm going to die in the saddle, I'm not going to sit at home and become an old woman,'" Waterfield told The Associated Press on Monday. "And that's exactly what she did, she died in the saddle."
It was an apt metaphor for a stunningly beautiful woman who first made her mark as the scandalously sexy and provocatively dressed (for the time) pal of Billy the Kid, in a Western that Hughes fought for years with censors to get into wide release.
As the billionaire battled to bring the picture to audiences, his publicity mill promoted Russell relentlessly, grinding out photos of her in low-cut costumes, swimsuits and other outfits that became favorite pinups of World War II GIs.
To contain her ample bust, the designer of the "Spruce Goose" airplane used his engineering skills to make Russell a special push-up bra (one she said she never wore). He also bought the ailing RKO film studio and signed her to a 20-year contract that paid her $1,000 a week.
By the time she made her third film, the rollicking comedy-western "The Paleface," in which she played tough- but-sexy Calamity Jane to Bob Hope's cowardly dentist sidekick, she was a star.
She went on to appear in a series of potboilers for RKO, including "His Kind of Woman" (with Robert Mitchum), "Double Dynamite" (Frank Sinatra, Groucho Marx), "The Las Vegas Story" (Victor Mature) and "Macao" (Mitchum again).
Although her sultry, sensual look and her hourglass figure made her the subject of numerous nightclub jokes, unlike Marilyn Monroe, Rita Hayworth and other pinup queens of the era, Russell was untouched by scandal in her personal life.
During her Hollywood career she was married to star UCLA and pro football quarterback Bob Waterfield.
"The Outlaw," although it established her reputation, was beset with trouble from the beginning. It took two years to make, according to its theatrical trailer, and director Howard Hawks, one of Hollywood's most eminent and autocratic filmmakers, became so rankled under producer Hughes' constant suggestions that he walked out.
"Hughes directed the whole picture — for nine bloody months!" Russell said in 1999.
It had scattered brief runs beginning in 1943, earning scathing reviews. The Los Angeles Times called it "one of the weirdest Western pictures that ever unreeled before the public."
Russell's only other notable film was "Gentlemen Prefer Blondes," a 1953 musical based on the novel by Anita Loos that cast her opposite Monroe.
She followed that up with the 1954 musical "The French Line," which — like "Gentlemen Prefer Blondes" — had her cavorting on an ocean liner. The film was shot in 3-D, and the promotional campaign for it proclaimed "J.R. in 3D. Need we say more?"
In 1955, she made the sequel "Gentlemen Marry Brunettes" (without Monroe) and starred in the Westerns "The Tall Men," with Clark Gable, and "Foxfire," with Jeff Chandler. But by the 1960s, her film career had faded.
"Why did I quit movies?" she remarked in 1999. "Because I was getting too old! You couldn't go on acting in those years if you were an actress over 30."
She continued to appear in nightclubs, television and musical theater, including a stint on Broadway in Stephen Sondheim's "Company." She formed a singing group with Connie Haines and Beryl Davis, and they recorded gospel songs.
For many years she served as TV spokeswoman for Playtex bras, and in the 1980s she made a few guest appearances in the TV series "The Yellow Rose."
She was born Ernestine Jane Geraldine Russell on June 21, 1921, in Bemidji, Minn., and the family later moved to Los Angeles' San Fernando Valley. Her mother was a lay preacher, and she encouraged the family to build a chapel in their back yard.
Despite her mother's Christian teachings, young Jane had a wild side. She wrote in her 1985 autobiography, "My Paths and Detours," that during high school she had a back-alley abortion, which may have rendered her unable to bear children.
Her early ambition was to design clothes and houses, but that was postponed until her later years. While working as a receptionist, she was spotted by a movie agent who submitted her photos to Hughes.
The producer was famous for dating his discoveries, as well as numerous other Hollywood actresses, but his contact with Russell remained strictly business. Her engagement and 1943 marriage to Waterfield assured that.
She was the leader of the Hollywood Christian Group, a cluster of film people who gathered for Bible study and good works. After experiencing problems in adopting her three children, she founded World Adoption International Agency, which has helped facilitate adoptions of more than 40,000 children from overseas.
She made hundreds of appearances for WAIF and served on the board for 40 years.
As she related in "My Path and Detours," her life was marked by heartache. Her 24-year marriage to Waterfield ended in bitter divorce in 1968. They had adopted two boys and a girl.
That year she married actor Roger Barrett; three months later he died of a heart attack. In 1978 she married developer John Peoples, and they lived in Sedona, Ariz., and later, Santa Barbara. He died in 1999 of heart failure.
Over the years, Russell was also beset by alcoholism. She was able to rebound from troubles by relying on lessons she learned from her Bible-preaching mother.
"Without faith, I never would have made it," she commented a few months after her third husband's death. "I don't know how people can survive all the disasters in their lives if they don't have any faith, if they don't know the Lord loves them and cares about them and has another plan."
Survivors include her children, Thomas K. Waterfield, Tracy Foundas and Robert "Buck" Waterfield, six grandchildren and 10 great-grandchildren.
A public funeral is scheduled March 12 at 11 a.m. at Pacific Christian Church in Santa Maria.
In lieu of flowers, the family asks that donations be made in her name to either the Care Net Pregnancy and Resource Center of Santa Maria or the Court Appointed Special Advocates of Santa Barbara County.

February 13, 2011

Betty Garrett, actress in film, TV, Broadway, dies


Betty Garrett, the vivacious Broadway star who played Frank Sinatra's sweetheart in two MGM musicals before her career was hampered by the Hollywood blacklist, has died in Los Angeles, her son said Sunday. She was 91.
Garrett died Saturday at Ronald Reagan UCLA Medical Center, most likely from an aortic aneurysm, said her son, Garrett Parks. Garrett had been in good health and taught her usual musical comedy class at Theater West, the non-profit organization she helped found, on Wednesday night, but Friday checked into the hospital with heart trouble, and died with her family at her side the following morning.
Garrett was best known as the flirtatious girl in love with the shy Sinatra in "Take Me Out to the Ballgame" and "On the Town," both in 1949, and later in life she became well-known to TV audiences with recurring roles in the 1970s sitcoms "All in the Family" and "Laverne and Shirley."
Her movie career was brief, largely because of the Red Hunt led by congressmen who forced her husband, actor Larry Parks, to testify about his earlier membership in the Communist Party.
Parks had won stardom and an Academy Award nomination as best actor for his dynamic portrayal of singer Al Jolson in the 1946 "The Jolson Story." But in 1951, he was called before the House Un-American Activities Committee, and he admitted that he had joined the Communist Party in 1941 and left in 1944 or 1945.
Pressed to name his fellow members of the party, Parks pleaded not to be forced "to crawl through the mud as an informer." He agreed to testify fully in executive session.
He made one more film, "Love Is Better Than Ever" with Elizabeth Taylor, then his film career was over.
"It was a dark period, a foolish, foolish period," Garrett said in 1998. "It destroyed a lot of lives and ruined my husband's career."
Garrett had also had a brief dalliance with the party but wasn't called to testify, perhaps, she said, "because I was nine months pregnant with my second son, and they didn't think I would be a good witness."
Garrett's stage career began to click when she sang the show-stopping "South America, Take It Away" in "Call Me Mister" on Broadway in 1946. That brought Hollywood offers, and at 27 she signed a contract with MGM, then the king of musical movies. Her son said aside from her family she considered the work she would do for MGM her life's highest point.
"She was very proud of the MGM musicals," Parks said.
Particularly memorable was "On the Town," the Betty Comden, Adolph Green and Leonard Bernstein musical about three sailors on leave in New York City. She played the comically aggressive cab driver who pursues Sinatra (singing the racy "Come Up to My Place") while his pals, Gene Kelly and Jules Munshin, team up with Vera-Ellen and Ann Miller.
Besides the two pictures with Sinatra, she appeared in "Words and Music" and "Neptune's Daughter," in which she and Red Skelton sang the Oscar-winning song "Baby, It's Cold Outside."
MGM dropped her after Parks' testimony, and she received no film offers until she co-starred with Jack Lemmon and Janet Leigh in the 1955 musical version of "My Sister Eileen," playing Eileen's (Leigh's) sister, Ruth.
Unable to find much work in Hollywood, she and Parks hit the road with a musical act. It proved a hit in Las Vegas, London and other cities. When the bookings thinned out, Parks became a home builder. He died in 1975.
Betty maintained a busy career in theater and television. She played recurring roles in "All in the Family," as the chatty friend of Edith Bunker who duels with Archie, and "Laverne and Shirley," as a landlady who married Laverne's father.
She garnered an Emmy nomination in 2003 for guest actress in a comedy series for an appearance on the Ted Danson sitcom "Becker."
Over the years, she also had sporadic roles on Broadway, including parts in "Spoon River Anthology" in 1963 and "Meet Me in St. Louis" in 1989. She was back on Broadway in 2001 in a revival of Stephen Sondheim's "Follies."
In 1998, she published her autobiography, "Betty Garrett and Other Songs," which was the title of her one-woman show.
She also taught and appeared in plays at Workshop West, which she helped found in the late 1950s.
Asked in 1998 if she retained bitterness that she and Parks were blacklisted, she replied: "It's not my nature to be bitter. What I feel is deep sorrow. We both, I think, were just on the verge of becoming really big stars, particularly Larry. And it just went crashing down."
Betty Garrett was born in 1919 in St. Joseph, Mo. Her father, a traveling salesman, moved his wife and daughter to Seattle. He died of alcoholism when Betty was 2. She attended Roman Catholic schools though she wasn't a Catholic.
She had demonstrated a talent for dancing and acting, and her ambitious mother took her to New York where she had won a scholarship at the prestigious Neighborhood Playhouse. Betty was 17.
Garrett's stage debut came with "Danton's Death" at Orson Welles' Mercury Theatre in 1938. Later shows included "All in Fun," "Something for the Boys," "Laffin' Room Only" and "Bells Are Ringing." She also danced with the Martha Graham troupe, worked summers on the Borscht Belt, and even wore a fake jewel in her navel as a $25-a-week chorus girl in the Latin Quarter in Boston.
In addition to Garrett Parks, a composer, his wife Karen Culliver Parks and her granddaughter Madison Claire Parks, she was survived by her son Andrew Parks, an actor, and his wife Katy Melody.
The family did not plan to have a funeral, but was planning a memorial service for later in the month.