Actor Ossie Davis Found Dead in Hotel

NEW YORK - Ossie Davis, the imposing, unshakable actor who championed racial justice on stage, on screen and in real life, often in tandem with his wife, Ruby Dee, has died. He was 87.

Davis was found dead Friday in his hotel room in Miami Beach, Fla., according to officials there. He was making a film called "Retirement," said Arminda Thomas, who works in his office in suburban New Rochelle and confirmed the death.

Miami Beach police spokesman Bobby Hernandez said Davis' grandson called shortly before 7 a.m. when Davis would not open the door to his room at the Shore Club Hotel. Davis was found dead and there does not appear to be any foul play, Hernandez said.

Davis, who wrote, acted, directed and produced for the theater and Hollywood, was a central figure among black performers for decades. He and Dee celebrated their 50th wedding anniversary in 1998 with the publication of a dual autobiography, "In This Life Together."

Their partnership called to mind other performing couples, such as the Lunts, or Hume Cronyn and Jessica Tandy. Davis and Dee first appeared together in the plays "Jeb," in 1946, and "Anna Lucasta," in 1946-47. Davis' first film, "No Way Out" in 1950, was Dee's fifth.

Both had key roles in the television series "Roots: The Next Generation" (1978), "Martin Luther King: The Dream and the Drum" (1986) and "The Stand" (1994). Davis appeared in three Spike Lee films, including "School Daze," "Do the Right Thing" and "Jungle Fever." Dee also appeared in the latter two; among her best-known films was "A Raisin in the Sun," in 1961.

In 2004, Davis and Dee were among the artists selected to receive the Kennedy Center Honors.

When not on stage or on camera, Davis and Dee were deeply involved in civil rights issues and efforts to promote the cause of blacks in the entertainment industry. They nearly ran afoul of the anti-Communist witch-hunts of the early 1950s, but were never openly accused of any wrongdoing.

Actor Roy Scheider, who had performed with Davis and attended anti-war rallies with him, called Davis and Dee "the first political couple of America."

"Ossie seemed to always show up at the right time, on the right side, which was always the human side," Scheider said. "He was always progressive and had a very heartfelt sympathy for all people everywhere."

Davis directed several films, most notably "Cotton Comes to Harlem" (1970) and "Countdown at Kusini" (1976), in which he also appeared with Dee. Both wrote plays and screenplays, and

Other films in which Davis appeared include "The Cardinal" (1963), "The Hill" (1965), "Grumpy Old Men" (1993), "The Client" (1994) and "I'm Not Rappaport" (1996), a reprise of his stage role 10 years earlier.

On television, he appeared in "The Emperor Jones" (1955), "Freedom Road" (1979), "Miss Evers' Boys" (1997) and "Twelve Angry Men" (1997). He was a cast member on "The Defenders" from 1963-65, and "Evening Shade" from 1990-94, among other shows.

Davis had just started his new movie on Monday, said Michael Livingston, his Hollywood agent.

"I'm shocked," Livingston said. "I'm absolutely shocked. He was the most wonderful man I've ever known. Such a classy, kindly man." His wife had gone to New Zealand to make a movie there, Livingston said.

The oldest of five children, Davis was born in tiny Cogdell, Ga., in 1917 and grew up in nearby Waycross and Valdosta. He left home in 1935, hitchhiking to Washington to enter Howard University, where he studied drama, intending to be a playwright.

His career as an actor began in 1939 with the Rose McClendon Players in Harlem, then the center of black culture in America. There, the young Davis met or mingled with some of the most influential figures of the time, including the preacher Father Divine, W.E.B. DuBois, A. Philip Randolph, Langston Hughes and Richard Wright.

He also had what he described in the book as a "flirtation with the Young Communist League," which he said essentially ended with the onset of World War II. Davis spent nearly four years in service, mainly as a surgical technician in an Army hospital in Liberia, serving both wounded troops and local inhabitants.

Back in New York in 1946, Davis debuted on Broadway in "Jeb," a play about a returning soldier. His co-star was Dee, whose budding stage career had paralleled his own. They had even appeared in different productions of the same play, "On Strivers Row," in 1940.

In December 1948, on a day off from rehearsals from another play, Davis and Dee took a bus to New Jersey to get married. They already were so close that "it felt almost like an appointment we finally got around to keeping," Dee wrote in "In This Life Together."

As black performers, they found themselves caught up in the social unrest fomented by the then-new Cold War and the growing debate over social and racial justice.

"We young ones in the theater, trying to fathom even as we followed, were pulled this way and that by the swirling currents of these new dimensions of the Struggle," Davis wrote in the joint autobiography.

He lined up with socialist reformer DuBois and singer Paul Robeson, remaining fiercely loyal to the singer even after Robeson was denounced by other black political, sports and show business figures for his openly communist and pro-Soviet sympathies.

While Hollywood and, to a lesser extent, the New York theater world became engulfed in McCarthyism controversies, Davis and Dee emerged from the anti-communist fervor unscathed.

"We've never been, to our knowledge, guilty of anything — other than being black — that might upset anybody," he wrote.

They were friends with baseball star Jackie Robinson — Dee played his wife, opposite Robinson himself, in the 1950 movie "The Jackie Robinson Story" — and with Malcolm X.

In the book, Davis told how a prior commitment caused them to miss the Harlem rally where Malcolm was assassinated in 1965. Davis delivered the eulogy at Malcolm's funeral, calling him "our own black shining prince — who didn't hesitate to die, because he loved us so." He reprised it in a voice-over for the 1992 Spike Lee film, "Malcolm X."

Along with film, stage and television, the couple's careers extended to a radio show, "The Ossie Davis and Ruby Dee Story Hour," that ran on 65 stations for four years in the mid-1970s, featuring a mix of black themes.

Both made numerous guest appearances on television shows.

Actor Ossie Davis Dies at Age 87

MIAMI - Actor Ossie Davis, who pioneered roles for African Africans in a stage and screen career that spanned more than 50 years, has died at age 87.

Davis was found dead early Friday by his grandson and paramedics at the Shore Club hotel in Miami Beach, where the actor had been shooting the film "Retirement," according to police and his office in Los Angeles.

"According to the grandson, he was suffering from heart disease," said police spokesman Bobby Hernandez. "The grandson knocked on the door, and when Mr. Davis didn't respond, he called fire rescue."

A longtime civil rights activist, Davis delivered celebrated eulogies at the funerals of Martin Luther King Jr. and Malcolm X and gave voice to the famous United Negro College Fund slogan, "A mind is a terrible thing to waste."

He and his wife of more than 50 years, actress Ruby Dee, received Kennedy Center Honors in 2004 for their body of work. The two often appeared in films together.

In the late 1990s, they co-wrote the book "With Ossie and Ruby: In This Life Together," chronicling their struggles against racial injustice as well as their decades as a couple.

They also spoke in the book about their decision to have an open marriage. The couple had three children.

Davis broke barriers for black performers on television, stage and in the movies and developed a reputation as one of the country's most recognizable character actors.

His screen acting credits date to the 1950s, including the Spike Lee films "Jungle Fever" and "Do the Right Thing" and TV projects such as "Roots: The Next Generation" and "Evening Shade."

Filming began in Miami Beach this week for the film "Retirement." In it, Davis, Peter Falk, George Segal and Rip Torn were starring as four grumpy old men who leave their Florida retirement homes on a road trip to Las Vegas to stop one of their daughters from marrying the wrong guy.

(16) Pittsburgh 86, Providence 66

PITTSBURGH -- Somebody told Providence coach Tim Welsh earlier in the day that Pitt center Chris Taft was in a scoring slump. It was exactly what he didn't want to hear.

Taft scored a career-high 25 points and Carl Krauser adeptly ran No. 16 Pittsburgh's fast-breaking offense while playing one of his best defensive games of the season, leading the Panthers to an 86-66 rout of Providence on Monday night.

Krauser had 19 points, nine assists and two steals and helped shut out Friars point guard Dwight Brewington for nearly 32 minutes to help the Panthers win their fifth in six games. Brewington, averaging 18.5 points in his last four games, finished with eight points but didn't score until Pitt (15-3, 5-2 Big East) led 66-45.

Taft, expected to be one of the Big East's top players but averaging only 12 points over his previous five games, scored more than 20 points for just the third time this season. The 6-foot-10 sophomore also had 15 rebounds as Pitt held a 39-24 edge on the boards.

Taft's previous career high was 24 against Providence last season, as Welsh well remembers.

``I said, `Don't ever say that to me,' `` Welsh said when told of Taft's recent scoring problems. ``That guy's a monster. ... Pitt is a load to handle and they really crushed us on the boards.''

Ryan Gomes scored 24 points, but the Friars (9-11, 0-7) lost their seventh in a row and 10th straight in the Big East dating to last season.

Pitt's 86 points were its most in 13 games since scoring 87 against Duquesne on Dec. 4. If there was any letdown following comeback wins over nationally ranked Connecticut and Syracuse in which Pitt trailed by 17 in each game, it didn't show.

``Syracuse was an emotional win, but I thought our guys handled it well,'' Pitt coach Jamie Dixon said of the 76-69 victory over the then-No. 4 Orange on Saturday night. ``Our focus was good in the shootaround today, and that's a good sign.''

So was Taft's elevated level of play, considering he was held to eight points by Syracuse and to 11 or fewer in Pitt's last three games. But he was much more assertive offensively against a Friars lineup that had no starter taller than 6-9, getting 10 in the first half before dunking several times off Krauser passes as Pitt pulled away throughout the second half.

``I went in with the mindset that we had to win this game,'' Taft said. ``I was trying to get every rebound and post up strong and aggressively because I knew I would get the ball if I did.''

Pittsburgh won its third in a row since its worst slump in four years, a string of three losses in five games. All three losses were significant upsets, to Bucknell, Georgetown and St. John's, with the latter loss coming to a team that doesn't have another Big East victory.

``But they kind of look like their old selves now,'' Welsh said.

Since that slump, Pitt has tightened up what has been one of the nation's top defenses the last three seasons and Krauser has been more under control, no longer forcing shots or dominating the ball in late-game pressure situations.

There weren't any of those in this game, even though Providence was coming off five consecutive losses by five points or fewer. Pitt opened a 5-0 lead and never trailed, pulling out to a 32-22 lead with 4:40 left in the first half by outscoring the Friars 10-3 during a 2 1/2 -minute stretch. Taft scored twice from in close, once on an excellent pass by Krauser, and Ronald Ramon made four free throws.

Pitt was the Big East's worst foul-shooting team going into its 76-69 win over then-No. 4 Syracuse on Saturday night, but was 21-of-27 from the foul line that night and was 21-of-24 Monday.

``We started doing a different drill in practice where everybody lines up on the baseline and one guy shoots (free throws), so there's a lot of pressure,'' Krauser said. ``That type of discipline makes you think about making free throws.''

Providence, now 3-13 at Pittsburgh, never got closer than eight points in the second half and was out of it after Pitt reeled off eight consecutive points to go up 57-41 with 12:49 remaining following Chevon Troutman's three-point play.