Meredy's blog about classic movies, classic stars, and Meredy.com updates.
June 07, 2013
Meredy.com Update - Many New Trivia Pages
Many new trivia pages have been added to meredy.com recently. Please stop by and check out my newest, Esther Williams trivia.
June 06, 2013
Esther Williams, Who Swam to Movie Fame, Dies at 91
Esther Williams, a teenage swimming champion who became an enormous Hollywood star in a decade of watery MGM extravaganzas, died on Thursday in Beverly Hills, Calif. She was 91.
From “Bathing Beauty” in 1944 to “Jupiter’s Darling” in 1955, Ms. Williams swam in Technicolor pools, lakes, lagoons and oceans, cresting onto the list of Top 10 box-office stars in 1949 and 1950.
“Esther Williams had one contribution to make to movies — her magnificent athletic body,” the film critic Pauline Kael wrote. “And for over 10 years MGM made the most of it, keeping her in clinging, wet bathing suits and hoping the audience would shiver.”
In her autobiography, “The Million Dollar Mermaid” (1999), Ms. Williams spoke of movie stardom as her “consolation prize,” won instead of the Olympic gold medal for which she had yearned. At the national championships in 1939, Ms. Williams, who was 17, won three gold medals and earned a place on the 1940 United States Olympic team. But Hitler invaded Poland, and the 1940 Olympics were canceled with the onset of World War II.
At a time when most movies cost less than $2 million, MGM built Ms. Williams a $250,000 swimming pool on Stage 30. It had underwater windows, colored fountains and hydraulic lifts, and it was usually stocked with a dozen bathing beauties. Performing in that 25-foot-deep pool, which the swimmers nicknamed Pneumonia Alley, Ms. Williams ruptured her eardrums seven times.
By 1952, the swimming sequences in Ms. Williams’s movies, which were often elaborate fantasies created by Busby Berkeley, had grown more and more extravagant. For that year’s “Million Dollar Mermaid,” she wore 50,000 gold sequins and a golden crown. The crown was made of metal, and in a swan dive into the pool from a 50-foot platform, her head snapped back when she hit the water. The impact broke her back, and she spent the next six months in a cast.
Ms. Williams once estimated that she had swum 1,250 miles for the cameras. In a bathing suit, she was a special kind of all-American girl: tall, lithe, breathtakingly attractive and unpretentious. She begged MGM for serious nonswimming roles, but the studio’s response was, in effect, “If it ain’t broke, don’t fix it.” Audiences rejected her in dramas like “The Hoodlum Saint” (1946) and “The Unguarded Moment” (1956). Her only dry-land box-office success was “Take Me Out to the Ball Game” (1949), with Ms. Williams as the owner of a baseball team whose players included Frank Sinatra and Gene Kelly.
She is survived by her husband, Edward Bell; a son, Benjamin Gage; a daughter, Susan Beardslee; three stepsons, the actor Lorenzo Lamas, Tima Alexander Bell and Anthony Bell, three grandchildren and eight stepgrandchildren.
From “Bathing Beauty” in 1944 to “Jupiter’s Darling” in 1955, Ms. Williams swam in Technicolor pools, lakes, lagoons and oceans, cresting onto the list of Top 10 box-office stars in 1949 and 1950.
“Esther Williams had one contribution to make to movies — her magnificent athletic body,” the film critic Pauline Kael wrote. “And for over 10 years MGM made the most of it, keeping her in clinging, wet bathing suits and hoping the audience would shiver.”
In her autobiography, “The Million Dollar Mermaid” (1999), Ms. Williams spoke of movie stardom as her “consolation prize,” won instead of the Olympic gold medal for which she had yearned. At the national championships in 1939, Ms. Williams, who was 17, won three gold medals and earned a place on the 1940 United States Olympic team. But Hitler invaded Poland, and the 1940 Olympics were canceled with the onset of World War II.
At a time when most movies cost less than $2 million, MGM built Ms. Williams a $250,000 swimming pool on Stage 30. It had underwater windows, colored fountains and hydraulic lifts, and it was usually stocked with a dozen bathing beauties. Performing in that 25-foot-deep pool, which the swimmers nicknamed Pneumonia Alley, Ms. Williams ruptured her eardrums seven times.
By 1952, the swimming sequences in Ms. Williams’s movies, which were often elaborate fantasies created by Busby Berkeley, had grown more and more extravagant. For that year’s “Million Dollar Mermaid,” she wore 50,000 gold sequins and a golden crown. The crown was made of metal, and in a swan dive into the pool from a 50-foot platform, her head snapped back when she hit the water. The impact broke her back, and she spent the next six months in a cast.
Ms. Williams once estimated that she had swum 1,250 miles for the cameras. In a bathing suit, she was a special kind of all-American girl: tall, lithe, breathtakingly attractive and unpretentious. She begged MGM for serious nonswimming roles, but the studio’s response was, in effect, “If it ain’t broke, don’t fix it.” Audiences rejected her in dramas like “The Hoodlum Saint” (1946) and “The Unguarded Moment” (1956). Her only dry-land box-office success was “Take Me Out to the Ball Game” (1949), with Ms. Williams as the owner of a baseball team whose players included Frank Sinatra and Gene Kelly.
She is survived by her husband, Edward Bell; a son, Benjamin Gage; a daughter, Susan Beardslee; three stepsons, the actor Lorenzo Lamas, Tima Alexander Bell and Anthony Bell, three grandchildren and eight stepgrandchildren.
June 02, 2013
Jean Stapleton, Who Played Archie Bunker’s Better Angel, Dies at 90
Jean Stapleton, the character actress whose portrayal of a slow-witted, big-hearted and submissive — up to a point — housewife on the groundbreaking series “All in the Family” made her, along with Mary Tyler Moore and Bea Arthur, not only one of the foremost women in television comedy in the 1970s but a symbol of emergent feminism in American popular culture, died on Friday at her home in New York City. She was 90.
Ms. Stapleton, though never an ingénue or a leading lady, was an accomplished theater actress with a few television credits when the producer Norman Lear, who had seen her in the musical “Damn Yankees” on Broadway, asked her to audition for a new series. The audition, for a character named Edith, changed her life.
She was born Jeanne Murray on Jan. 19, 1923, in Manhattan. Her father, Joseph, was an advertising salesman; her mother, Marie Stapleton, was a concert and opera singer, and music was very much a part of her young life.
Jeanne was a singer as well, which might be surprising to those who knew Ms. Stapleton only from “All in the Family,” which opened every week with Edith and Archie singing “Those Were the Days,” Ms. Stapleton lending a screechy half of the duet that was all Edith.
Ms. Stapleton herself had a long history of charming musical performances. She was in the original casts of “Bells are Ringing” on Broadway in the 1950s and “Funny Girl,” with Barbra Streisand, in the 1960s, in which she sang “If a Girl Isn’t Pretty” and “Find Yourself a Man.” Off Broadway in 1991, she played Julia Child, singing the recipe for chocolate cake in the mini-musical “Bon Appétit.” On television, she sang with the Muppets.
Ms. Stapleton studied and performed with the American Actors’ Company, whose alumni include Horton Foote and Agnes DeMille, and did a great deal of summer stock. She toured opposite Frank Fay in “Harvey,” and was the understudy for Shirley Booth in the touring company of “Come Back, Little Sheba.” Even during her television heyday, Ms. Stapleton’s schedule almost always included summer shows because her husband, William Putch, whom she married in the late 1950s, operated the Totem Pole Playhouse in Pennsylvania.
Mr. Putch died in 1983. Ms. Stapleton is survived by their two children, Pamela and John.
Ms. Stapleton, though never an ingénue or a leading lady, was an accomplished theater actress with a few television credits when the producer Norman Lear, who had seen her in the musical “Damn Yankees” on Broadway, asked her to audition for a new series. The audition, for a character named Edith, changed her life.
She was born Jeanne Murray on Jan. 19, 1923, in Manhattan. Her father, Joseph, was an advertising salesman; her mother, Marie Stapleton, was a concert and opera singer, and music was very much a part of her young life.
Jeanne was a singer as well, which might be surprising to those who knew Ms. Stapleton only from “All in the Family,” which opened every week with Edith and Archie singing “Those Were the Days,” Ms. Stapleton lending a screechy half of the duet that was all Edith.
Ms. Stapleton herself had a long history of charming musical performances. She was in the original casts of “Bells are Ringing” on Broadway in the 1950s and “Funny Girl,” with Barbra Streisand, in the 1960s, in which she sang “If a Girl Isn’t Pretty” and “Find Yourself a Man.” Off Broadway in 1991, she played Julia Child, singing the recipe for chocolate cake in the mini-musical “Bon Appétit.” On television, she sang with the Muppets.
Ms. Stapleton studied and performed with the American Actors’ Company, whose alumni include Horton Foote and Agnes DeMille, and did a great deal of summer stock. She toured opposite Frank Fay in “Harvey,” and was the understudy for Shirley Booth in the touring company of “Come Back, Little Sheba.” Even during her television heyday, Ms. Stapleton’s schedule almost always included summer shows because her husband, William Putch, whom she married in the late 1950s, operated the Totem Pole Playhouse in Pennsylvania.
Mr. Putch died in 1983. Ms. Stapleton is survived by their two children, Pamela and John.
Subscribe to:
Posts (Atom)